Showing posts with label Carmen Amato. Show all posts
Showing posts with label Carmen Amato. Show all posts

Cyberflanerie: The Voynich Manuscript, Books, Used Books, Rare Books, and the Future of Bookstores Edition

Totally huge news: The mysterious circa 15th or 16th century Voynich manusucript might be of Mexican origin: Arthur O. Tucker and Rexford H. Talbert make a very interesting case in, of all places, HerbalGram, the Journal of the American Botanical Council, issue 100, 2013, in their article "A Preliminary Analysis of the Botany, Zoology, and Minerology of the Voynich Manuscript." Could the strange, supposedly cipher, language have been simply a dialect of Nahuatl?

To see the Voynich manuscript on-line, check it out at the website of Yale University's Beinecke Rare Book & Manuscript Library. 

Sam Quinones, a most original and intrepid journalist, who hosts the Tell Your True Tale website, has just brought out the Tell Your True Tale: East Los Angeles, in both paperback and Kindle.

Novelist and blogger Carmen Amato has asked Yours Truly and other "influential bloggers" to pontificate on the Future of Bookstores. (For some visuals, try this.)

The Rambling Boy of the Big Bend Sentinel, Lonn Taylor, goes browsing for bargains at used bookstores.

Find books with Bibliopolis.

Here's a cool new venue for selling books: Gumroad. Stay tuned on that front.

More anon.

The Future of Bookstores

Author and blogger Carmen Amato has asked how me and other bloggers how we see the future of bookstores. It's a question I'm delighted to contemplate because, from the time I was a small child, bookstores have been a Mecca for me, and, as an author, when it comes to selling my books, an oasis of delightfulness-- though sometimes, alas, a fata morgana, now that on-line booksellers such as amazon.com have drained off so much of their business. Indeed, as a book buyer, for convenience, selection, and price, I long ago went over to amazon.com and other online booksellers. And as an author I am now seeing more from Kindle sales than from my print books. (In fact, for my latest book, a niche topic, Metaphysical Odyssey into the Mexican Revolution: Francisco I. Madero and His Secret Book, I bypassed traditional publishers and bookstores altogether. I had thought it might be nice to place it with a university press. Then I did the math. Ha.)

That said, I am saddened by the way so many brick-and-mortar bookstores have turned themselves into glorified coffee and tchotchkes-made-in-China shops poorly staffed and oftentimes (not always, I hasten to add) by people who seem they might be more knowledgable about, say, pumping gas. As for the sort of hackwork most stock by their cash registers, Joe Queenan described them best: "by Punch for the edification of Judy." In short,  the typical chain bookstore bums me out-- and the coffee isn't that great, either. I have yet to sit down at a clean table in a Barnes & Noble café. Don't get me started about the restrooms.

Well, I don't think brick-and-mortar bookstores are going the way of the dodo, but if they are to survive, they will evolve, and dramatically, to become much more than bookstores as we have generally known them. For example, a brick-and-mortar bookstore might offer:

Library services, such as those offered by New York City's Society Library-- not just books for loan, but a research desk, large well-lit tables, and small but comfortable and quiet private offices for writers / independent scholars (especially valuable where public library services are problematic);
More curated selections by more knowledgable staff;
Artist books;
More-- way more-- books by local authors;
Rare books;
Collectible ephemera; 
A place to bring in rare books and have them appraised (why not every third Thursday of the month?);
A place to order up a letterpress book of one's own (why not bring in the local letterpress guy every second Wednesday of the month?);
A place to learn about book design and book cover design;
A place to take a marbled paper workshop or how to make pop-up books;
A place to take a weekend seminar on Tolstoy / learn French / history of Rome / Mesoamerica (books included);
Meeting room for writers groups / book clubs / movies / yoga; 
 A machine to print out one's book (a few do have this already, e.g., Politics & Prose with its Espresso Book Machine);
and so on and so forth.

They will also dramatically improve their on-line shops to compete with the likes of amazon.com-- not so much in terms of selection, but ease of use and prompt customer service. A few already have. Recently, I have been impressed by the rare books dealers using www.bibliopolis.com .

Entrepreneurs are entrepreneurial. And I'll bet bucks to cabbages that there will be people writing and reading 'til Kingdom Come. So whatever "bookstores" morph into, it's going to be interesting.

Time capsule: Here's my 2009 blog about bookstores for Red Room.

COMMENTS

Matching Books with Museums in Mexico City by Carmen Amato

Chapultepec Castle
Photo from wikipedia
Over on her blog, novelist Carmen Amato mentioned my novel, The Last Prince of the Mexican Empire, as reading for a visit to Chapultepec Castle. Gosh, gracias! Here goes:


The museum: Perched on top of a hill, with sweeping views over Mexico City’s western sprawl, the fortress-style castle was home to the ill-fated Emperor Maxmillian I and his empress, Carlota, during the Second Mexican Empire from 1864 to 1867. You can walk through the rooms, which are arranged shotgun fashion–each leading into the other–insuring that no one at the court had much privacy. The gilded, delicate French-style furniture is an indication just how out of touch the royal court was from real life in Mexico. Take the trolley from street level up the hill, otherwise you’ll be too exhausted from the climb to appreciate the museum.

The book: The Last Prince of the Mexican Empire is a fictionalized account of the Second Mexican Empire seen mostly through the eyes of the American woman whose son was adopted (or seized depending on your point of view) by the childless Maxmillian and Carlota in the vain attempt to establish an heir to the Mexican throne. The book is a real gem and shows off both amazingly detailed research into the life and times of the Second Mexican Empire and the author’s ability to create wholly believable historical characters. Get it here.
CONTINUE READING CARMEN AMATO on "Matching Museums with Books in Mexico City"


And I have been looking at that very novel this very morning because it is so elegantly designed. And I do say myself-- I mean, I am not, as they say, "putting cream on my tacos," because it was designed by the publisher, Unbridled Books.

Right now, with the help of a designer, I am figuring out how to format a CreateSpace print-on-demand paperback edition of my latest book, which is a most unusual one about a very strange book-- Metaphysical Odyssey Into the Mexican Revolution: Francisco I. Madero's Spiritist Manual Introduced and Translated.  Understandably, Metaphysical Odyssey was not of interest to Unbridled Books, which specializes in literary fiction. It might seem a good fit for any one of a number of university presses, but having published with university presses in the past, I am feeling rather blasé about jumping through all their hoops for such a paltry deal as they offer these days. Hence, self-publishing, this Wild West adventure of increasing popularity. Most self-published books look like crap, alas, with unreadable fonts and skimpy margins... here's hoping I learn something from my little tour of The Last Prince of the Mexican Empire's lovely design... and I hope to be able to announce the paperback of Metaphysical Odyssey shortly. In the meantime, it is available in Kindle.